This supports my theory that Mad Men isn’t actually about the men at all. [via]
Page 1 of 1
When did the remix become a requirement? The Awl puts together a fairly concise history of remixing music.
How did we get to the point where a one-hit-wonder band from the ’90s like Marcy Playground can release an entire album of remixes made by fans?
Posted by Tyler in Daily Links
http://c.brightcove.com/services/viewer/federated_f9?isVid=1
If you’ve got eight minutes, this is worth your time.
Cory Doctorow looks at the new book Creative License: The Law and Culture of Digital Sampling. (Which I now need to order.)
The best example of this is a back-of-the-envelope calculation of the cost to clear the samples on two of the best-loved, uncleared albums of all times: the Beastie Boys’ Paul’s Boutique and Public Enemy’s Fear of a Black Planet, both of which typify the kind of album that couldn’t possibly be made today. By the authors’ math, Black Planet would lose $6.8 million in sampling fees on 1.5 million sales; Paul’s Boutique would lose an eye-popping $19.8M on its sales of 2.5m.
Posted by Tyler in Daily Links
Posted by Tyler in Daily Links
It’s been awhile since I saw a trailer remix worth noting, but this one for The Batman Complex is really well done.
Posted by Tyler in Daily Links
Everything is a Remix, Part 2: Remix Inc. (Also, part 1.)
Posted by Tyler in Daily Links
Mashing up Girl Talk’s Night Ripper with Girl Talk’s All Day is more interesting conceptually than it is musically.
New York Times Magazine profiles Girl Talk about two months too late.
You might expect that Girl Talk’s success has made Gillis a legal target. His sound collages are radically different from their sources, far more than the sum of their parts, but to an entertainment lawyer they might look like a lawsuit. Or, in the words of Lawrence Lessig, author of “Remix: Making Art and Commerce Thrive in the Hybrid Economy,” “a gold mine.”
To secure permission to use the 373 samples on “All Day” would cost, Gillis estimates, millions of dollars. Some labels would refuse, others would draw him into endless negotiation. But he has never been sued. No one has ever asked him to stop doing what he’s doing. One of the acts he samples on “All Day,” the Toadies, proudly put a link to Girl Talk on their home page.
“We don’t realize how much the notion of creation has changed for people under the age of 25,” Lessig says. He suggests that in 20 years the sampling issue will seem “completely bizarre.” Any Girl Talk show provides a vivid preview of what the future might look like. It will look like leaf blowers showering confetti on a crowd going crazy to an unlikely pairing of Soulja Boy, the hip-hop idol, with the avant-garde electronica of Aphex Twin.
Pogo is raising money on KickStarter to remix the world. [via]
Posted by Tyler in Daily Links
Everything is a Remix, Part 1.
Posted by Tyler in Daily Links
Cee-Lo’s Shawshank Redemption. That didn’t take long. I expect there to be more of these, and I will post every single one of them. [via]
UPDATE: Dirty Dancing. Say Anything.
Wolfgang Amadeus Phoenix is being remixed for a digital release later this month. Remixers include Passion Pit, Animal Collective and Alex Metric.